Forty years after ‘Splash’, the film that made her a star, the actress has tasted success and failure, harassment from the press, the violence of Harvey Weinstein and decided that a movie icon can do much more than just act
Oliver Stone’s ultraviolent satire, which reflected a moment when the media lost its way and elevated criminals to superstar status to gain audiences, fits perfectly into the era of fake news and the saturation of true crime on streaming platforms
Several film critics analyze the influence of Beatrix Kiddo, a character who is equal parts tender and violent. Uma Thurman and the director’s relationship went awry, following a troubled shoot in the shadow of Harvey Weinstein
Independent director Nina Menkes’s film triumphed at the Sundance Film Festival. Now her dissection of women’s sexualization in the movies can be seen on TCM
Productions featuring erotic scenes are fewer and further between, and even Quentin Tarantino considers them superfluous. A mere stylistic change or a full cultural shift?
The director of ‘Pulp Fiction’ spoke with EL PAÍS about the gun control debate in the United States and his love of Spanish cinema, among other subjects. He also acknowledged that he has a natural talent to create tension on-screen
The ‘Everything Everywhere All at Once’ Oscar-winning actress serves as recognition for the women who have propelled this movie genre for decades, especially the pioneers who were already thrilling silent film audiences
With Hitler dead and the Nazi surrender two days away, a ragtag unit of Wehrmacht and GIs banded together to defend illustrious French prisoners at the Battle for Castle Itter