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‘Napoleon’: The great man leaves me cold
As much as Ridley Scott’s visual power dazzles in the battle sequences, spending two hours and forty minutes in the company of the intense Joaquin Phoenix, who plays the French emperor, is exhausting
As much as Ridley Scott’s visual power dazzles in the battle sequences, spending two hours and forty minutes in the company of the intense Joaquin Phoenix, who plays the French emperor, is exhausting
The British director’s storytelling is painfully real, but his didactic tone often seems like an overearnest lecture
The new film from the director of ‘Seven’ and ‘Zodiac’ has impeccable execution and pacing, but it just doesn’t grab the viewer
The wisdom contained in this man’s camera prevented me from looking at my watch, but almost nothing he said really fascinated me
A natural born achiever came into this world 100 years ago. He played convincing roles in a variety of genres and exuded authenticity and magnetism, as though in possession of something epic
Christopher Nolan’s film has atmosphere, nuanced characters, intelligent dialogues, areas of light and shadow and a visual strength that dazzles
Heat serves various purposes in films. It can be a sign of eroticism, a cause of weariness or the creator of oppressive atmospheres
May adventure films continue to survive, but the latest film featuring the charming archaeologist has left me neither hot nor cold
The star of ‘Roman Holiday’ and ‘To Kill a Mockingbird’ may not have been a great actor, but it’s clear why he was a star — he had that undeniable charm
This Viking drama has a certain visual force and a rhythm suited to the brutality it is portraying
EL PAÍS cinema critic Carlos Boyero is left distinctly unamused by Pedro Almodóvar’s new movie ‘Julieta’