![‘Temple of Oxalá’ (1977), by Brazilian artist Rubem Valentim, at the 35th São Paulo Biennial.](https://imagenes.elpais.com/resizer/v2/HQS2QZSBFMBMX6IKWJT5UA47JY.jpg?auth=672d7058e5e337ea9e1b7eb22d6bf7b5091066b28c140febb6d7c1efc30d1fd0&width=414&height=311&focal=1712%2C865)
The São Paulo Biennial responds to ‘the new fascisms’ with 80% non-white artists
The largest artistic event in the southern hemisphere opened its 35th edition, which tells an alternate history of the art of the 20th and 21st centuries
The largest artistic event in the southern hemisphere opened its 35th edition, which tells an alternate history of the art of the 20th and 21st centuries
The rock band — which redefined British music in the 1990s — has a new album and tour. They confirm that if there’s something they handle even better than the melodies, it’s the changing times we’re living in
In the wake of May 1968, France embraced the smiling British actress with open arms. She began her career starring in lighthearted comedies and went on to work with Godard, Rivette, Tavernier and Agnès Varda
The Canadian director premieres his first television series, ‘The Night Logan Woke Up,’ and announces his retirement from filmmaking
The Musée d’Orsay in Paris exhibits the tense relationship between the two 19th-century artists who helped forge the avant-garde that would lead to Impressionism
After decades of neglect and oblivion, the Japanese artist has become the most successful creator of our time. Underneath her work’s colorful, childlike, escapist and commercial appearance, it hides multiple layers of darkness
The actress returns to the Cannes Film Festival to present ‘Little Girl Blue,’ a hybrid between documentary and fiction with sexual abuse as a backdrop
The National Rally is spearheading a movement against Miriam Cahn, whose painting ‘Fuck Abstraction’ has already resulted in a court case as critics claim it depicts a minor engaged in a sex act
Elisenda Julibert’s book ‘Fatal Men’ dismantles the myth of the temptress in literature and film, arguing that the trope is a misogynist response to the traditional fear of women’s liberation
The Swedish Academy rewarded the French writer’s ‘courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory’
In his essay ‘Free to Obey,’ the French historian Johann Chapoutot highlights the parallels between business administration and the methods of Hitler’s Germany
At 58, the French actress will receive the Donostia Award from the San Sebastián International Film Festival in Spain. In an unfiltered interview, she spoke with EL PAÍS about her life and latest film
The singer’s new single ‘Break My Soul’ has confirmed the revival of the genre, which was born in the gay clubs of 1980s Chicago, but fails to break new ground
Retrospectives of great masters are no longer obligatory. From Barcelona to Venice, Madrid, Valencia, New York, London, Paris and Berlin, here are the most interesting shows in 13 different cities
Ukraine has inaugurated its pavilion at the contemporary exhibition, which includes many symbolic gestures against the Russian invasion
The Norwegian director, who is in the running for two Oscars for ‘The Worst Person in the World,’ talks to EL PAÍS about the ‘homogeneity’ of romantic representations and why love is ‘the most complicated thing that exists’
The California-born author, whose work focuses on moral ambiguity, talks to EL PAÍS about why she is drawn to characters with a complex relationship to power
A Harvard lecturer is one of the main urban renewal architects in the Colombian city as the country builds a fragile peace
New biography exploring author’s sexuality suggests divide between virile figure of novels and reality
The US photographer dusts off her work for ‘Rolling Stone’ in the 1970s for an exhibition in Arles, France
Latin America “among our perspectives for the future,” says institution’s head Serge Lasvignes
Museums across Europe and North Africa will be showing the Spanish artist from a new angle
Fóra, or, Out is a documentary telling the story of life in a Galician mental hospital The movie was made after two years of research with a grant of 16,000 euros