Speaking at a press conference, Almodóvar, who heads up the jury at this year’s edition of the prestigious event, said: “For me, it would be an enormous paradox if the [film that won top prize, the] Palme D’Or at this Cannes festival, or any other prize, could not be seen in cinemas.”
Two Netflix films are up for awards at the year’s event – the Noah Baumbach-directed The Meyerowitz Stories and the Korean fantasy Okja – but organizers have said that as of next year films that are not guaranteed a cinematic release in France will be excluded from the competition, a decision that will affect Netflix given that it does not distribute its films in this way.
While I am still alive, I will defend the hypnotic power of the big screen Film director Pedro Almodóvar
“Netflix is a new platform that offers content for a fee, which, in principle, is both positive and beneficial. But this new way of consuming [movies] shouldn’t replace the current methods, like going to the cinema; it can’t change the habits of spectators and I think that is the debate right now,” said Almodóvar, who won the Academy Award for Best Original Screenplay in 2003 with Talk to Her.
“I respect the new technologies, but while I am still alive, I will defend something that younger generations seem not to understand: the hypnotic power of a big screen,” he added.
Almodóvar’s views on the place of the two Netflix films at this year’s competition would seem to diminish their chances of taking home any prizes. But speaking at the same press conference fellow jury member Will Smith offered a different view of the matter.
“In my house, Netflix has been nothing but an absolute benefit,” said the actor. “[My children] get to see films they absolutely wouldn’t have seen.” Cinemas and Netflix, he continued, “are two distinct forms of entertainment.”
English version by George Mills.